Friday, August 21, 2009

Tell me a story


When "60 Minutes" producer Don Hewitt passed away two days ago, the tributes were staggering. How this one man, a photo editor at the time of his hiring in 1948, could have shaped the way we receive our news over television today seems implausible. In many ways he and others he worked with in the early days of the medium were making it up as they went along. He acknowledged that he said "tele-what?" at the time of his hiring at CBS Radio. But this was a broadcasting giant that didn't let inexperience hold him back. Hewitt was the man responsible for the first televised presidential debate between Senator John Kennedy and Vice-President Richard Nixon and set a standard we follow today. He was the original producer for the "CBS Evening News," worked with the venerable Edward R. Murrow on "See It Now" and had a long relationship with the late anchorman Walter Cronkite. Of course, there has always been the combative and hard-nosed Mike Wallace (with whom Hewitt sparred over many an issue) and the amiable Morley Safer, both of whom Hewitt hired for the news magazine he envisioned four decades ago. In many ways Hewitt upped the ante on what network news correspondents would be paid. The salaries he paid Wallace, Safer, Harry Reasoner, Steve Kroft and the late Ed Bradley were huge compared to journeymen broadcasters on their way up. Along the way he chose Diane Sawyer and Leslie Stahl for coveted positions on "60 Minutes" and made their distaff stars shine evermore brightly in the process. Hewitt had the enthusiasm of a cub reporter, many said. He tackled each news project with verve, vigor and vinegar, admitting his sometimes volatile temper. Although few agreed he had truly slowed down later in life, the handsome and virile octogenarian said he had "mellowed" near the time of his retirement from "60 Minutes" five years ago. When Hewitt wrote about his success in a memoir a few years back and spoke at tribute dinners shortly thereafter, he put it all into four little words. These were four words, he said, that every kid knew: "Tell me a story." Whether we refer to TV newsmen, motion picture screenwriters, playwrights or radio broadcasters like Paul Harvey, that's really the four words that define greatness. If one can tell a story that captivates, wrenches one's heart, creates pride or elicits myriad other feelings, there is little doubt that success will follow as surely as day follows night. Hewitt instinctively knew this and great writers the world over prove his point daily. Although Hewitt was not considered a great writer, he had the knack for news to know a good story when he heard one. That important lesson qualified his entire career and continues to be a source of inspiration for abecederian and fledgling writers like me and would-be broadcasters, filmmakers and dramatists. Hewitt's legacy may be distilled into just four words, but most of us realize it is so much more than just that.

Thursday, August 20, 2009

Al Shea and Beth Trepagnier



Al Shea at the 2009 Big Easy Theatre Awards holding his Lifetime Achievement Award

Sometimes my many different worlds collide. In my work as an IT consultant, I am constantly traveling from one side of the city to the other and meeting clients. In my volunteer work as a member of the Big Easy Theatre Committee, I am usually occupied watching local productions on most weekends and seeing members of the theatre community. Many of my friends and associates know of my deep commitment to Scouting, while others know of my work as a journalist in the New Orleans Jewish community. In the last week several divergent forces have come together with me as their focus. First of all, I began the week heading over to the assessor's office to deal with my home assessment. I wasn't there more than an hour before I saw one of the leaders of the Order of the Arrow, Connell Valette, who had just traveled with me to NOAC in Bloomington, Indiana earlier in the month. It turns out he works for one of the seven assessor's offices at City Hall. No sooner did I see him then I spotted the Fleur-de-lis District Chairman Eugene Green, who was working in yet another assessor's office to help during the very busy time of year. Eugene and I are two of the key leaders in the district that covers almost all of Orleans and St. Bernard Parishes. Since the two had never met before, I was compelled to introduce one to the other. But the colliding of worlds was far from over there. As a member of the Big Easy Committee, I have been very familiar with a fellow member, Al Shea, a local TV legend. Shea began his career at WDSU-TV back in the 1960's and I grew up watching him in various capacities over the course of the last four decades, especially at PBS affiliate WYES-TV, where he served as a panelist on"Steppin' Out," a local review show focused on the arts and media. He was an acknowledged authority on local theatre and had worked at the New Orleans Recreation Department (NORD) Theatre in his halcyon days as well as at Le Petit Theatre du Vieux Carré, the nation's oldest continuously operating community theatre. Only a few months ago, Shea had been acknowledged by his own theatre committee at the Big Easy Theatre Awards with the Lifetime Achievement Award. He was a happy, sincere fellow, who was compassionate about theatre and the arts. Sadly, it was announced some weeks ago that he was suffering from the effects of bladder cancer and that his prognosis was not good. Hospice care was advised, according to my sources. It turns out that I work as a consultant with a very good hospice in Harahan, River Region Hospice. I was called in to do some work on premises and, fortuitously, I found that he was spending his days there with his daughter Jennifer and several close friends nearby. It was nothing less than Providence intervening. I visited with him for a short while. I could see the apparent strain on his face. He claimed he wasn't in pain, but I had the impression he was uncomfortable, but was being a trooper, in the storied tradition of the stage and wasn't letting on about it. In the meantime the technician from the internet service provider and phone company I had been working with last week let slip that she had been at the last show of "Livin' Janis," a production starring Dorian Rush that detailed the life of Janis Joplin. Then she let me know she was also a performer. I'm not sure why, but phone companies seem to be a haven to erstwhile musicians. David Malone of the legendary Radiators has been a line technician in the past and so it seemed downright appropriate that Beth Trepagnier also work in the field. Trepagnier showed me her website , her MySpace page and told me about her new CD, "Louisiana Lover." She's been getting play across Europe and in various U.S. markets. She let me know about a CD release party being held this coming Saturday night, August 22. I'll be there for a bit to support her in her efforts. Trepagnier's past studies as a guitarist led her to become an instructor some years back. She's clearly at home playing and singing and her voice is sometimes raw and sweet, which is good for honey and blues singers as well. Since I was in the neighborhood again, I stopped by Shea's room two days ago. He was alone, resting and moving in and out of sleep. I said my goodbye to him softly and urged several friends I saw on Tuesday night to make all haste and see him soon. Regrettably, I must report that Al Shea departed this world earlier this morning. His "light and love," as our dear, late friend Cynthia Owen would have said, has moved on. Rest in peace, my friend, and may flights of angels sing thee to thy rest.

Friday, August 14, 2009

Blogging about "Julie and Julia"


I saw the new movie "Julie and Julia" last night and I must admit I am still very much in love with films by Nora Ephron, even when they are downright silly. This wasn't silly and in fact turned out to be something of a romp. The premise of this storyline is that Amy Adams, who plays real life New York blogger and writer Julie Powell decides to channel Julia 'Child, the author of "The Art of Mastering French Cooking" and a PBS television legend, played so incredibly by the delightful Meryl Streep. It is important to remember that this story takes sometime after 9/ll, when struggling writer Powell was employed helping families of victims of the Twin Tower tragedy and when Julia Child was quite elderly and still very much alive. The two lead very different, yet very similar lives insofar as they are both shown as newlywed couples. The Childs live in the McCarthy era at a time after the war when living in Europe could lead some to be suspected as foreign agents. The Powells are a very cute couple who move to Queens in search of more breathing room, only to land on top of a noisy pizzeria. Both Child and Powell are looking to give purpose to their lives. Adams decides that cooking her way through Child's 524 recipes in 365 days will give her life purpose and maybe spark increase interest in her writing. The blog she writes, "The Julie-Julia Project" documents the highlights and lowlights of Adams' character as she delves deeply into hitherto unknown culinary practices like trussing, boning and boiling lobsters. Powell's well-received book "Julie and Julia: My Year of Cooking Dangerously" was a best seller. Child's "My Life in France" was used as the basis for her scenes, especially those with husband Paul Child, played warmly by Stanley Tucci. Streep and Tucci's scenes are set in Paris and Marseilles, but much of the action takes place in restaurants, their kitchen and (gasp!) their bedroom. As to the film's characters, I was endeared by Adams, but let there be no mistake about it. I was enchanted and enthralled by Streep. She reflects the haughty and slightly irreverent spirit of Child and her speech patterns, guffaws and chortles are dead on. I was laughing hysterically at much of the script, which was also penned by director Ephron ("When Harry Met Sally" and "Sleepless in Seattle"). It's definitely a chick flick. After all, what guys really want to see two independent women living their lives purposely and succeeding without their husbands' helping hands? Guess I'm not the macho, misogynistic type because I thought the film was just great. And any guy who disagrees, I would like to challenge them to a duel in the kitchen. I''ll belt them with my Béarnaise and maul them with my Marchand du Vin. I'll hammer them with my Hollandaise and...well, you get the picture. Just one thing more. You are advised to eat ahead of seeing the movie. Some of the food shots are so delicious that my poor tummy was thinking dessert was going to be served. "Julie and Julia" is rated R for ravenous. Bon Appetit!

Wednesday, August 12, 2009

So when is kosher "kosher?"

Oh, my. I don't need Ray Charles to serenade me with "Georgia on My Mind." The American Civil Liberties Union and the Conservative Jewish movement are pushing ahead with a case filed August 7 that is designed to topple the Orthodox Union's monopoly on determining what is "kosher" in that state. As designated by a state law enacted in 1980, the suspect legislation was designed to ensure the public's safety and peace of mind in setting up the standards of Orthodox Judaism (their board is known as the O-U) as being the determining factor by which food is sold as "kosher" in Georgia. Apparently, there was a question of fraud having been perpertrated in the past, so by using the Orthodox Union's high bar of kashrut (dietary laws), there was no question that everyone -- from the most observant Haredi on down to secular Jews -- would feel assured and comfortable with a "kosher" designation. The problem came about when some people began to question whether a Conservative rabbi who might supervise a restaurant or kitchen for a community event would be de facto violating the law. Although Conservative standards are less stringent than the O-U's, their designation of a restaurant, bakery or kitchen as being kosher would be held as valid by members of the Conservative, Reform and Reconstructionist branches of Judaism. The problem is by lending its official state sanction to the standards of Orthodoxy, the division between organized religion and the state is blurred. The ACLU named Rabbi Shalom Lewis of Congregation Etz Chaim in Marietta as the plaintiff in its suit in which it specifies that the Georgia law discriminates against other forms of Jewish religious practice by strictly adhering to Orthodox Judaism to determine what is considered "kosher." It is important to point out that the statute in question does impose criminal sanctions for violations, so Rabbi Lewis could have been arrested and prosecuted over the course of his career in Georgia had he been challenged. Lewis admits that he has "technically" been a criminal by merely doing his job as kosher supervisor for his own synagogue and for kosher events held under its auspices. This has triggered an immediate response from the Orthodox movement, who claim that not one non-Orthodox rabbi has ever been prosecuted, despite the fact many have provided kosher supervision information to the state. Some suggest an overturning of the law as unconstitutional might lead to more fraud being perpertrated against the public in the future. As of now, a few cases of probable fraud are handled per month. Orthodox kosher supervisors fear a more relaxed code could result in a spike of such irregularities. All of this seems to go along with the Conservative movement's attempt to become more proactive in the field of kosher supervision. Similar designations of kosher as being determined only by Orthodox standards have been overturned in New York (2003), Baltimore (1995) and New Jersey (1992). Whether Georgia becomes the fourth such state or municipal government to change its standards remains to be seen. I'm sure the rabbis pleading their cases will be very persausive. Perhaps they will need to daven (pray) a bit more devoutly as well.

Tuesday, August 11, 2009

The sad case of William Jefferson

While I was enjoying the revelry and brotherhood associated with the National Order of the Arrow Conference (NOAC) last week, I lost touch with what was happening in the Virginia courthouse where the federal government had laid out its case against former Louisiana Second District Congressman William Jefferson. Jefferson, a political icon from New Orleans, has been a civic leader in New Orleans for decades. After he lost the mayoralty two times while a state legislator, he ran for an open seat vacated by then-retired Congresswoman Lindy Boggs some 18 years ago. He had withstood challenge after challenge until this past election when he won the Democratic primary, but failed to muster his troops in the general election. In a surprise defeat, he was bested by Loyola professor Anh Joseph Cao, a Republican and the first Vietnamese elected to Congress. Cao (pronounced Gow) has acknowledged he probably won't be re-elected in the largely black district that was designed in effect to ensure that an African-American would represent New Orleans in Congress. While still a congressman, Jefferson was able to thwart prosecution, but once he was ousted from office, the federal government sped up its case which resulted in 16 indictments. The most compelling evidence seemed to be $90,000 that was videotaped being given to Jefferson from an FBI informant that was allegedly to be used for bribes. The cash was found in a freezer along with a lot of other cash that could not be directly proven to be payouts for influence peddling. According to the government, the money was to be used to ensure that members of the Jefferson family would reap financial windfalls in the form of stock in foreign enterprises and percentages in businesses held in Africa. The 11 guilty counts out of 16 that were returned last Thursday after five days of jury diliberations signal the end of the career of a high profile politician, who wielded tremendous power both in New Orleans and in Congress. Ironically, the count that involved the $90,000 received a not guilty verdict. Nonetheless, it is another closed chapter in a history of corruption, malfeasance and influence peddling that seems to repeat itself year after year. Meanwhile, Mose Jefferson, the older brother of William goes on trial this week on charges that stemmed from the federal investigation that eventually felled his brother. If prosecutors have their way, though, the Jefferson family might be spending a considerable time living at government expense for the near future.

Friday, August 7, 2009

The ride back from Bloomington



Checking out Mammoth Cave in Kentucky, the longest cave in the world.

For well over 24 hours I have been without e-mail or Internet access. It is a good feeling to know that I am now reconnected, even though I probably won't be using it due to the onset of Shabbat. The drive back from Bloomington was uneventful, but long. Last night our group stayed outside of Nashville, Tennessee at Boxwell Scout Reservation. I had the opportunitiy to enjoy a nice meal at the Cherokee Steak House there where I had a filet mignon, baked potato, salad and rolls for $12.95. It was the best bargain I had all week! And, for those who know of this out of the way place in Lebanon, the food was prepared as good or better than some of the more expensive steak house chains I've been to in the past. I felt so guilty that I was having such a good time away from the members of my Order of the Arrow lodge that I bought three half-gallon containers of ice cream for them to enjoy. Unfortunately, they were so tired from play and the drive down from Indiana University, most of them skipped the ice cream and hit the sack or sleeping bags, if you will. I suspect most of them were tuckered from the three-hour hike inside the longest cave in the world, Mammoth Cave in Kentucky. My poor dogs were feeling the heat of the walk and I wished for a nice foot massage or hot soak. But it was not to be. Boxwell was deserted and had no such amenities, but it did yield a most interesting show. It would seem the Scout camp was virtually overrun with deer (even some fawns with telltale spots and ever-present mothers nearby). I don't recall ever seeing that many deer running free on a Scout camp before. Just a few days before just off the Indiana University campus, I was amazed that a deer was only a few yards away before it scampered off to hide in the woods. These deer on the Scout reservation weren't all that concerned about my presence, but didn't hang around too long once Scouts headed in their general direction. Yet, there were so many of them, I believe it was the largest concentration of deer I've ever seen. Up north many people consider deer to be vermin, akin to a large rat. Down South I would imagine some would think of Bambi as "good eatin'," but for city folk like myself, there's very little chance we'll be eating venison any time soon. Generally, we are appalled that someone would want to shoot a deer with a bullet or an arrow. It may be considered sport, but it doesn't strike me as particularly fair. I would say when hunters tackle bucks by their antlers or capture them in a trap that doesn't mame the animals, then it would be considerably more fair. In Solon, Ohio, I know there have been large kills where the deer are killed with a helmet that drives a steel post into their tiny skulls. I'm sure none of the deer would willing don those helmets and the kills have generated a great deal of negative publicity. I guess shooting the deer is against the law, hence the recommendation to use the helmets and skirt the law about dispatching them with a rifle or bow. Deer are such graceful creatures it surprises me people would think about tearing them asunder with a weapon of long-range destruction. But as I said, in this part of the world there is that contingent that swears that Bambi is "good eatin'" and there's nothing that can be done to change that. I'm all for someone who needs to hunt to put food on the table for his family. I guess I'm somewhat opposed to killing for the sport of it. If anyone cares, I like the way animals are slaughtered in a the kosher ritual. In theory (and hopefully in practice), they are tied down, prayers are uttered over them to beg forgiveness of the shochet (kosher butcher), their carotid arteries are severed, they slowly go to sleep and bleed to death. Or perhaps they bleed to death and slowly go to sleep. It may not matter to many, but I like to think that the animal whose body I am eating didn't go through an enormous amount of pain at the moment he was slaughtered. Of course, I'm not so dead set against slaughter to become a vegetarian or a vegan. That way of life is good for many, but I don't think I could become adapted to salad days for the rest of my life. In any event, it's good to be back in New Orleans, far away from Hoosiers, Volunteers and deer.

Wednesday, August 5, 2009

And in the end....


National OA Chief Jack O'Neill and his friend

The last day of NOAC is typically called Founders Day and is named after E. Urner Goodman and co-founder Carrol Edson. The year was 1915 and Philadelphia Scoutmaster Goodman was then director of a local camp located out of the city called Treasure Island. Edson was his assistant and with some help from some outside folks, they concocted a new Scouting fraternity that emphasized brotherhood and cheerful service. The Order of the Arrow grew from those first tentative steps into a burgeoning group of hundreds of thousands of alumni with a primary emphasis on camping. Theirs is a service organization and their involvement in making a difference is palpable. There are adult members and youth members, but the youth run the organization and are the only ones allowed to vote. Since Boy Scouts troops elect their members based on performance and past records (such as a minimum number of nights of camping), it is unique that non-members select those who join the ranks of the OA. That's the way it has been largely from the beginning. It's about as good a process as can be found and that is as it should be. Today's events included the competitive Goodman games and Founders Day exhibits in which participating lodges could give away different items or inform fellow Arrowmen about points of interest in their respective areas. The day was capped by a nighttime show that brought much of what attendees had learned throughout the six days. Life is determined by the amount of time we spend and the love we give one another. The Beatles' "All You Need Is Love" was used as a musical theme to the final spectacular, which featured indoor fireworks and sing-a-longs to favorites like "Good Vibrations" from the Beach Boys and "Don't Stop Beleving" by Journey. The piece-de-resistance was an outdoor concert with plenty of vanilla ice cream (300 pounds) scooped out for the hungry Scouts. All in all it was a great night and one that prepared all of us for our forthcoming journeys home.